THE ART OF SEDUCTION
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The Seductive Process
The Art of Seduction in 24 steps grouped under 4 phases
Phase One: Separation — Stirring Interest and Desire
1 Choose the Right Victim
Everything depends on the target of your seduction. Study your prey thoroughly, and choose
only those who will prove susceptible to your charms. The right victims are those for whom you
can fill a void, who see in you something exotic. They are often isolated or unhappy, or can
easily be made so — for the completely contented person is almost impossible to seduce. The
perfect victim has some quality that inspires strong emotions in you, making your seductive
maneuvers seem more natural and dynamic. The perfect victim allows for the perfect chase.
2 Create a False Sense of Security — Approach Indirectly page 177
If you are too direct early on, you risk stirring up a resistance that will never be lowered. At
first there must be nothing of the seducer in your manner. The seduction should begin at an
angle, indirectly, so that the target only gradually becomes aware of you. Haunt the periphery
of your target’s life — approach through a third party, or seem to cultivate a relatively neutral re~<
lationship, moving gradually from friend to lover. Lull the target into feeling secure, then strike.
3 Send Mixed Signals page 185
Once people are aware of your presence, and perhaps vaguely intrigued, you need to stir their
interest before it settles on someone else. Most of us are much too obvious — instead, be hard to
figure out. Send mixed signals: both tough and tender, both spiritual and earthly, both inno~<
cent and cunning. A mix of qualities suggests depth, which fascinates even as it confuses. An
elusive, enigmatic aura will make people want to know more, drawing them into your circle.
Create such a power by hinting at something contradictory within you.
4 Appear to Be an Object of Desire — Create Triangles page 195
Few are drawn to the person whom others avoid or neglect; people gather around those who
have already attracted interest. To draw your victims closer and make them hungry to possess
you, you must create an aura of desirability — of being wanted and courted by many. It will
become a point of vanity for them to be the preferred object of your attention, to win you away
from a crowd of admirers. Build a reputation that precedes you: If many have succumbed to
your charms, there must be a reason.
5 Create a Need — Stir Anxiety and Discontent page 203
A perfectly satisfied person cannot be seduced. Tension and disharmony must be instilled in
your targets minds. Stir within them feelings of discontent, an unhappiness with their circum^
stances and with themselves. The feelings of inadequacy that you create will give you space to
insinuate yourself to make them see you as the answer to their problems. Pain and anxiety are
the proper precursors to pleasure. Learn to manufacture the need that you can fill.
6 Master the Art of Insinuation page 211
Making your targets feel dissatisfied and in need of your attention is essential, but if you are
too obvious, they will see through you and grow defensive. There is no known defense, how-*
ever, against insinuation — the art of planting ideas in people’s minds by dropping elusive hints
that take root days later, even appearing to them as their own idea. Create a sublanguage —
bold statements followed by retraction and apology, ambiguous comments, banal talk combined
with alluring glances — that enters the target’s unconscious to convey your real meaning. Make
7 Enter Their Spirit page 219
Most people are locked in their own worlds, making them stubborn and hard to persuade. The
way to lure them out of their shell and set up your seduction is to enter their spirit. Play by
their rules, enjoy what they enjoy, adapt yourself to their moods. In doing so you will stroke
their deep-rooted narcissism and lower their defenses. Indulge your targets’ every mood and
whim, giving them nothing to react against or resist.
8 Create Temptation page 229
Lure the target deep into your seduction by creating the proper temptation: a glimpse of the
pleasures to come. As the serpent tempted Eve with the promise of forbidden knowledge, you
must awaken a desire in your targets that they cannot control. Find that weakness of theirs,
that fantasy that has yet to be realized, and hint that you can lead them toward it. The key is
to keep it vague. Stimulate a curiosity stronger than the doubts and anxieties that go with it,
and they will follow you.
Phase Two: Lead Astray — Creating Pleasure and Confusion
9 Keep Them in Suspense — What Comes Next? page 241
The moment people feel they know what to expect from you, your spell on them is broken.
More: You have ceded them power. The only way to lead the seduced along and keep the up-<
per hand is to create suspense, a calculated surprise. Doing something they do not expect from
you will give them a delightful sense of spontaneity — they will not be able to foresee what
comes next. You are always one step ahead and in control. Give the victim a thrill with a sud-< den change of direction. 10 Use the Demonic Power of Words to Sow Confusion page 251 It is hard to make people listen; they are consumed with their own thoughts and desires, and have little time for yours. The trick to making them listen is to say what they want to hear, to fill their ears with whatever is pleasant to them. This is the essence of seductive language. In~>
flame people ‘s emotions with loaded phrases, flatter them, comfort their insecurities, envelop
them in sweet words and promises, and not only will they listen to you, they will lose their
will to resist you.
1 1 Pay Attention to Detail page 265
Lofty words of love and grand gestures can be suspicious: Why are you trying so hard to
please ? The details of a seduction — the subtle gestures, the offhand things you do — are i^ten
more charming and revealing. You must learn to distract your victims with a myriad of please
ant little rituals — thoughtful gifts tailored just for them, clothes and adornments designed to
please them, gestures that show the time and attention you are paying them. Mesmerized by
what they see, they will not notice what you are really up to.
12 Poeticize Your Presence page 277
Important things happen when your targets are alone: The slightest feeling of relief that you
are not there, and it is all over. Familiarity and overexposure will cause this reaction. Remain
elusive, then. Intrigue your targets by alternating an exciting presence with a cool distance,
exuberant moments followed by calculated absences. Associate yourself with poetic images and
objects, so that when they think of you, they begin to see you through an idealized halo. The
more you figure in their minds, the more they will envelop you in seductive fantasies.
13 Disarm Through Strategic Weakness and Vulnerability page 285
Too much maneuvering on your part may raise suspicion. The best way to cover your tracks is
to make the other person feel superior and stronger. If you seem to be weak, vulnerable, en->
thralled by the other person, and unable to control yourself you will make your actions look
more natural, less calculated. Physical weakness — tears, bashfulness, paleness — will help cre^
ate the effect. Play the victim, then transform your target’s sympathy into love.
14 Confuse Desire and Reality — The Perfect Illusion page 295
To compensate for the difficulties in their lives, people spend a lot of their time daydreaming,
imagining a future full of adventure, success, and romance. If you can create the illusion that
through you they can live out their dreams, you will have them at your mercy. Aim at secret
wishes that have been thwarted or repressed, stirring up uncontrollable emotions, clouding their
powers of reason. Lead the seduced to a point of confusion in which they can no longer tell the
difference between illusion and reality.
15 Isolate the Victim page 309
An isolated person is weak. By slowly isolating your victims, you make them more vulnerable
to your influence. Take them away from their normal milieu, friends, family, home. Give them
the sense of being marginalized, in limbo — they are leaving one world behind and entering
another. Once isolated like this, they have no outside support, and in their confusion they are
easily led astray. Lure the seduced into your lair, where nothing is familiar.
Phase Three: The Precipice — Deepening the Effect Through Extreme Measures
16 Prove Yourself page 321
Most people want to be seduced. If they resist your efforts, it is probably because you ham’ not
gone far enough to allay their doubts — about your motives, the depth of your feelings, and so
on. One well-timed action that shows how far you are willing to go to win them over will dis~< pel their doubts. Do not worry about looking foolish or making a mistake — any kind of deed that is self-sacrificing and for your targets’ sake will so overwhelm their emotions, they won’t notice anything else. 17 Effect a Regression page 333 People who have experienced a certain kind of pleasure in the past will try to repeat or relive it. The deepest-rooted and most pleasurable memories are usually those from earliest child~>
hood, and are often unconsciously associated with a parental figure. Bring your targets back to
that point by placing yourself in the oedipal triangle and positioning them as the needy child.
Unaware of the cause of their emotional response, they will fall in love with you.
18 Stir Up the Transgressive and Taboo page 349
There are always social limits on what one can do. Some of these, the most elemental taboos,
go back centuries; others are more superficial, simply defining polite and acceptable behavior.
Making your targets feel that you are leading them past either kind of limit is immensely se~>
ductive. People yearn to explore their dark side. Once the desire to transgress draws your tar~>
gets to you, it will be hard for them to stop. Take them farther than they imagined — the
shared feeling of guilt and complicity will create a powerful bond.
19 Use Spiritual Lures page 359
Everyone has doubts and insecurities — about their body, their self-worth, their sexuality. If
your seduction appeals exclusively to the physical, you will stir up these doubts and make your
targets self-conscious. Instead, lure them out of their insecurities by making them focus on
something sublime and spiritual: a religious experience, a lofty work of art, the occult. Lost in
a spiritual mist, the target will feel light and uninhibited. Deepen the effect of your seduction
by making its sexual culmination seem like the spiritual union of two souls.
20 Mix Pleasure with Pain page 369
The greatest mistake in seduction is being too nice. At first, perhaps, your kindness is charm~>
ing, but it soon grows monotonous; you are trying too hard to please, and seem insecure. In-< stead of overwhelming your targets with niceness, try inflicting some pain. Make them feel guilty and insecure. Instigate a breakup — now a rapprochement, a return to your earlier kind~>
ness, will turn them weak at the knees. The lower the lows you create, the greater the highs.
To heighten the erotic charge, create the excitement of fear.
Phase Four: Moving In for the Kill
21 Give Them Space to Fall — The Pursuer Is Pursued page
If your targets become too used to you as the aggressor, they will give less of their own energy,
and the tension will slacken. You need to wake them up, turn the tables. Once they are under
your spell, take a step back and they will start to come after you. Hint that you are growing
bored. Seem interested in someone else. Soon they will want to possess you physically, and restraint will go out the window. Create the illusion that the seducer is being seduced.
22 Use Physical Lures page 393
Targets with active minds are dangerous: If they see through your manipulations, they may
suddenly develop doubts. Put their minds gently to rest, and waken their dormant senses, by
combining a nondefensive attitude with a charged sexual presence. While your cool, nonchalant air is lowering their inhibitions, your glances, voice, and bearing — oozing sex and
desire — are getting under their skin and raising their temperature. Never force the physical;
instead infect your targets with heat, lure them into lust. Morality, judgment, and concern for
the future will all melt away.
23 Master the Art of the Bold Move page 405
A moment has arrived: Your victim clearly desires you, but is not ready to admit it openly, let
alone act on it. This is the time to throw aside chivalry, kindness, and coquetry and to overwhelm with a bold move. Don’t give the victim time to consider the consequences. Showing hesitation or awkwardness means you are thinking of yourself as opposed to being over-‘ whelmed by the victim ‘s charms. One person must go on the offensive, and it is you. 24 Beware the Aftereffects page 415 Danger follows in the aftermath of a successful seduction. After emotions have reached a pitch, they often swing in the opposite direction — toward lassitude, distrust, disappointment. If you are to part, make the sacrifice swift and sudden. If you are to stay in a relationship, beware a flagging of energy, a creeping familiarity that will spoil the fantasy. A second seduction is re->
quired. Never let the other person take you for granted — use absence, create pain and conflict,
to keep the seduced on tenterhooks.